Tag Archives: Buster Keaton

Amazing New Keaton Discoveries – My Wife’s Relations

Posted on July 24, 2016 by John Bengtson

An astonishing new Keaton stunt, Buster’s return visit to a classic apartment house, and yet another surprise appearance of the Cops – The Kid – Safety Last! Hollywood alley – the Lobster Films restoration of My Wife’s Relations (1922), with … Continue reading →

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Reflections on Keaton’s Cops at the SF Silent Film Festival

Posted on May 28, 2016 by John Bengtson

The San Francisco Silent Film Festival starts next week, with another wide and varied lineup of classic silent films accompanied with live musical performances. Comedy fans will be especially interested in the Saturday morning program, introduced by Leonard Maltin, where … Continue reading →

Posted in Buster Keaton, Cops | Tagged , , , , , , | 7 Comments

Columbo and the Silent Clowns – Chaplin, Keaton, and Lloyd

Posted on May 16, 2016 by John Bengtson

I’ve been enjoying watching Peter Falk as Columbo on Netflix, and am transfixed by the time travel elements of this now decades-old series. The population of Los Angeles has nearly doubled since the time of filming, and there’s something quaint, … Continue reading →

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Buster in Cops Cruising Santa Monica Boulevard

Posted on April 19, 2016 by John Bengtson

Buster Keaton’s famous short film Cops (1922) remains his only self-produced movie that was filmed completely out of doors, with no interior scenes. Early in the film Buster helps Big Joe Roberts into a taxi in front of the Pantages … Continue reading →

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Chaplin – Keaton Studio Connections – The Fireman and Convict 13

Posted on March 22, 2016 by John Bengtson

Because Charlie Chaplin filmed his Mutual comedy shorts (1916-17) at the same small studio where Buster Keaton later filmed his independent shorts and features (1920-28), many common locations and settings appear in their films (see above).  I explain this in … Continue reading →

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Mostly Lost – Keaton Found (Stan Laurel too) at Hollywood and Western

Posted on March 3, 2016 by John Bengtson

This fun discovery from Buster Keaton’s The Goat (1921) was made possible thanks to Mostly Lost, the Library of Congress crowd-sourcing workshop to screen and identify orphan silent and early sound films, held at the Packard Campus in Culpeper Virginia. … Continue reading →

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Houdini – The Grim Game – More Hollywood Connections

Posted on December 19, 2015 by John Bengtson

The climax to Harry Houdini’s debut feature film The Grim Game (1919) involved the real-life mid-air collision of two airplanes captured on film (discussed in my prior post HERE).  The extraordinary footage was worked into the story by filming the … Continue reading →

Posted in Cops, Harry Houdini, The Grim Game | Tagged , , , , , , , | 6 Comments

Houdini – Keaton – The Grim Game – Cops

Posted on November 19, 2015 by John Bengtson

Buster Keaton writes in his autobiography that famed magician and escape artist Harry Houdini gave him his nickname after witnessing 6-month old Keaton tumble unhurt down a flight of stairs. While likely more myth than fact,* Harry and Bess Houdini … Continue reading →

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Keaton – Langdon – Lloyd on Larchmont – Ebell Club Author Talk

Posted on October 30, 2015 by John Bengtson

Developed along a street car line (always ripe for slapstick antics), Larchmont Boulevard has been a popular movie location for nearly 100 years.  Harold Lloyd filmed there as early as 1917.  During my luncheon talk at the Ebell Club on … Continue reading →

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Ginger, Buster, and Groucho, Lon Chaney and Loretta Young, all at the Jewett Estate

Posted on October 7, 2015 by John Bengtson

As reported in a recent post, Buster Keaton in Cops, Harpo and Groucho Marx in Duck Soup, and the 1947 murder noir classic Born to Kill, and the 1980s soap opera Dynasty (see YouTube at end of post), all filmed … Continue reading →

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San Francisco’s Silent Echoes – Presidio Officers’ Club Talk

Posted on September 13, 2015 by John Bengtson

Buster Keaton in Pacific Heights? Charlie Chaplin at Fisherman’s Wharf? Harold Lloyd at UC Berkeley? The great silent comedians did not limit themselves to filming in Hollywood, as I will discuss during my San Francisco’s Silent Echoes presentation this Thursday, … Continue reading →

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Groucho, Buster, and Noir – at the Pasadena Jewett Estate

Posted on July 5, 2015 by John Bengtson

From Buster Keaton and the Marx Brothers, to noir classics and the 1980s soap opera Dynasty, the lavish Jewett estate located at 1145 Arden Road (originally 1201) in Pasadena has portrayed cinematic wealth and grandeur for nearly a century. Designed … Continue reading →

Posted in Buster Keaton, Duck Soup, Film Noir, Jewett Estate, Marx Brothers | Tagged , , , , , , , , , , , , , , , , | 16 Comments

Cagney and Keaton Crossing Paths in Inglewood

Posted on April 6, 2015 by John Bengtson

James Cagney’s crime-busting thriller “G” Men (1935) and Buster Keaton’s debut short film One Week (1920) both contain exciting scenes filmed in Inglewood.  Cagney portrays a new FBI recruit who helps the bureau capture notorious bank robber Danny Leggett, played … Continue reading →

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The Artist and its Amazing Ties to Chaplin, Pickford, Keaton and Lloyd

Posted on March 3, 2015 by John Bengtson

Tonight marks the Turner Classic Movie Channel premiere of the 2011 multi-Oscar-winning Best Picture The Artist. Depicting the silent movie era, and filmed on location in Hollywood, the movie has many amazing connections to early Hollywood history and its biggest … Continue reading →

Posted in Buster Keaton, Charlie Chaplin, Harold Lloyd, Mary Pickford, The Artist | Tagged , , , , , , , , , , , , , , , | 1 Comment

How Buster Keaton Filmed The General

Posted on September 26, 2014 by John Bengtson

I had the honor of introducing Buster Keaton’s 1926 masterpiece The General at the San Francisco Silent Film Festival’s inaugural “A Day of Silents Festival.” Presented below are the informational slides prepared for that screening by festival Artistic Director Anita … Continue reading →

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Keaton’s The General on location in Cottage Grove

Posted on September 8, 2014 by John Bengtson

The San Francisco Silent Film Festival special one-day “Silent Autumn” event opens Saturday morning, September 20, 2014, with a trio of classic Laurel & Hardy silent shorts, and features a 7:00 p.m. screening of Buster Keaton’s 1926 Civil War masterpiece … Continue reading →

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Silent Era Hollywood Tour – Cinecon 50 – Author Presentation

Posted on August 27, 2014 by John Bengtson

Attached to this post is a self-guided written tour to Hollywood silent film locations and studios that I have prepared in connection with the “Hollywood’s Silent Echoes” presentation I will be giving Friday, August 29, 2014, at 10:55 a.m. at … Continue reading →

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Max Linder Shines Again in Seven Years Bad Luck

Posted on May 19, 2014 by John Bengtson

Dapper Max Linder, the pioneering French silent film comedian affectionately dubbed “The Professor” by Charlie Chaplin, will be taking the spotlight soon. Max’s 1921 feature comedy Seven Years Bad Luck will be screened at the San Francisco Silent Film Festival, … Continue reading →

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Mary Pickford and the Silent Stars Meet at One Hollywood Corner

Posted on February 21, 2014 by John Bengtson

America’s Sweetheart, Canadian-born Mary Pickford, was a staunch supporter of the World War I Liberty Bond campaign.  Aside from selling millions of dollars of bonds at various rallies across the country, she also encouraged bond sales by starring in a … Continue reading →

Posted in Buster Keaton, Charlie Chaplin, Douglas Fairbanks, Harold Lloyd, Mary Pickford, Venice | Tagged , , , , , , , , , , , , , , , , , , | 13 Comments

Buster Keaton and The Three Stooges – Round 6

Posted on January 20, 2014 by John Bengtson

In his 1926 self-directed feature comedy Battling Butler, Buster plays an effete millionaire who seeks to impress a girl by allowing her to mistakenly believe he is a champion boxer sharing the same name.  As might be guessed, the movie … Continue reading →

Posted in Buster Keaton, Film Noir, The Turning Point, Three Stooges | Tagged , , , , , , , , , , , , , | 6 Comments