Tag Archives: Keaton Locations

Buster Keaton – Hard Luck, The Goat – closeups at Westlake Park

Vintage movies and photos are time machines. This rare 1923 photo reveals exactly where Buster Keaton flees from Big Joe Roberts during The Goat (1921) nearly a century ago. This detail looks SE at the 7th Street and Alvarado corner … Continue reading

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Time Travelers: Uncovering Old LA in Keaton Comedies

Criterion’s The Cameraman Blu-ray is loaded with extras, including Oscar-nominated Daniel Raim’s 2020 documentary Time Travelers: Uncovering Old LA in Keaton Comedies, revealing newly discovered connections between Keaton’s MGM debut and the earliest films of his career. Raim’s recent works … Continue reading

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Arbuckle and Keaton Filmed in Culver City Years Before Laurel and Hardy

Harold Lloyd and Snub Pollard filmed comedies for producer Hal Roach at the Bradbury Mansion Rolin Studio, on Court Hill in downtown Los Angeles, for years before Roach opened his new studio in Culver City in 1920. (Read how they … Continue reading

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Buster Keaton – More Backlot Scenes From Our Hospitality

Buster Keaton’s modest studio made it necessary for him to film many famous scenes at other studios with larger backlots. His pursuit through an archway by an army of police at the climax of Cops (1922) was filmed at the … Continue reading

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Keaton’s The Cameraman on the Santa Monica Pier

For their first date in The Cameraman (1928) Buster Keaton and Marceline Day strip down and go swimming in a public pool, because, why not? As reported in my book Silent Echoes, their natatorium adventure was filmed inside the Venice … Continue reading

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Buster Keaton’s Scarecrow Adobe

I’m delighted to host guest blogger Jeffrey Castel de Oro’s amazing post regarding the early California history appearing in Buster Keaton’s The Scarecrow. A friend for 20 years, Jeff has contributed many significant locations and photographs to all of my … Continue reading

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Buster’s Paramount Backlot Plunge

I’m pleased to update this post to announce that the 2019 San Francisco Silent Film Festival will conclude Sunday May 5, with a 8:00 pm screening of Buster Keaton’s second feature comedy Our Hospitality (1923), to be accompanied by the … Continue reading

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Buster Keaton and W.C. Fields in Astoria

Buster Keaton and W.C. Fields filmed alongside the same Astoria apartment building, nine years apart. Who knew? While working on a post connecting Fields’ It’s The Old Army Game with Keaton’s The Cameraman (1928) and Harold Lloyd’s Speedy (1928) (all … Continue reading

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Buster Keaton’s Kennel on the MGM lot

As one of MGM’s biggest stars, Buster Keaton once had a private bungalow dressing room on the studio lot, jokingly dubbed “Keaton’s Kennel.” A reader correctly wrote long ago that the Kennel stood along the north side of the lot, … Continue reading

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Keaton’s Seven Chances – On The Clock

Late for church, during Seven Chances (1925) Buster Keaton must marry by 7:00 p.m. that evening in order to inherit a fortune. But what time is it? Having just lost his pocket watch down a sewer drain, Buster stops in … Continue reading

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The Surviving Sherlock Jr. Bungalow

A bungalow that appears in Buster Keaton’s Sherlock Jr. (1924), and in his early short film Convict 13 (1920), is still standing today at 4908 McKinley Avenue, when it was moved 11 miles away from Buster’s studio in 1926, the … Continue reading

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Keaton’s “What No Beer?” Barrel Avalanche

As Jim Kline writes in The Complete Films of Buster Keaton, MGM studio head Louis B. Mayer had already drafted Keaton’s termination letter by the time filming of What No Beer? completed in January 1933. For better or worse, this … Continue reading

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Buster’s Manhattan Apartment – The Cameraman Part III

In a prior post, Bob Egan flexed his Manhattan research skills to locate Marceline Day’s now lost apartment in Buster Keaton’s The Cameraman, 20 West 58th Street. Now Bob has located Buster’s midtown apartment as well, 201 East 52nd Street. … Continue reading

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Arbuckle – Keaton – the Good Night Nurse Hot Springs

Roscoe Arbuckle, Al St. John, and Buster Keaton must have had special fun making their Comique film Good Night Nurse (1918), leaving their Long Beach studio behind to film certain scenes at the Arrowhead Hot Springs resort 75 miles to … Continue reading

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Buster Keaton’s Haunted House

My friend architectural writer Steve Vaught made this amazing discovery – the “haunted” mansion appearing in Buster Keaton’s 1921 short film The Haunted House was the former Bonebrake Mansion, once standing on the corner of Adams and Figueroa. Steve noticed … Continue reading

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Keaton’s The Goat – the geography of a gag

Particular yet pragmatic, Buster Keaton would travel hundreds of miles to find just the right setting for a joke, while also filming dozens of mundane locations within steps of his small studio in Hollywood. This post breaks down the geography … Continue reading

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Keaton and Orson Welles – A High Sign Touch of Evil

Prior posts discuss Orson Welles and Chaplin (Citizen Kane – Modern Times), and Keaton and Alfred Hitchcock (Day Dreams and Vertigo), so how about Keaton and Orson Welles? Their paths crossed too, filming in Venice, California. As I explain in … Continue reading

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Keaton and Hitchcock’s Vertigo Day Dreams

Filmed on location in San Francisco, Alfred Hitchcock’s masterpiece Vertigo (1958) provides tantalizing mid-century glimpses of the City in sparkling VistaVision color. Remarkably, when Scottie (James Stewart) traces Madeleine (Kim Novak) by car back to his own apartment, they cross … Continue reading

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Keaton’s Cops and Go West – Peeking Over the School Fence

Rebuilt over the years, but pre-dating 1912, the Vine Street (Colgrove) Elementary School still stands between Romaine and Willoughby, kitty-corner from the site of the former Keaton Studio block in Hollywood. The back of the school, with its distinctive series … Continue reading

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Buster Keaton, Seven Chances, and Warren Beatty?

Warren Beatty’s audacious and scarily prescient political satire Bulworth (1998) depicts Beatty as a California Senator seeking reelection who’s become so disillusioned with the ineffectiveness of politics that he hires a hit man to finish him off. Suddenly liberated to … Continue reading

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