Category Archives: For Heaven’s Sake

Chaplin falls for The Kid – every scene now identified

Posted on November 24, 2018 by John Bengtson

Charlie Chaplin’s masterpiece The Kid (1921) tells the story of the Little Tramp discovering, trying to avoid, and eventually falling in love with an abandoned infant, played out scene by scene at the end of this post. As I write … Continue reading →

Posted in Chaplin - Keaton - Lloyd Alley, Charlie Chaplin, For Heaven's Sake, Harold Lloyd, The Kid | Tagged , , , , , , , , , , , , , , | 12 Comments

Punky, Harold, and Harry – nine decades of film location history at Shatto Place

Posted on August 3, 2013 by John Bengtson

In a prior post I explain how the same setting on Witmer Street appears in a Harold Lloyd silent comedy, a 1950 film noir classic, and in the recent sitcom The Office.  Another post shows how early Buster Keaton comedies … Continue reading →

Posted in For Heaven's Sake, Harold Lloyd, Harry Langdon, TV Shows | Tagged , , , , , , , , , , , , , | 11 Comments

Chaplin’s Modern (Los Angeles) Times

Posted on January 26, 2012 by John Bengtson

As I explain in my visual essay included in the Criterion Collection Blu-ray edition of Charlie Chaplin’s Modern Times (1936), Chaplin filmed scenes for his first movie Making A Living (1914) beside the third Los Angeles Times Building that once … Continue reading →

Posted in Charlie Chaplin, For Heaven's Sake, Harold Lloyd, Modern Times | Tagged , , , , , , , , , , , | 8 Comments

Buster Keaton and Film Noir? – It’s Also True

Posted on September 26, 2011 by John Bengtson

It’s now Buster Keaton’s turn, after Harold Lloyd and Charlie Chaplin (see prior posts), to brush shoulders with film noir. The Glendale Southern Pacific station was barely three years old when Buster Keaton used it to portray the station for … Continue reading →

Posted in Angels Flight, Bunker Hill, Buster Keaton, College, Film Noir, For Heaven's Sake, Harold Lloyd, Los Angeles Historic Core | Tagged , , , , , , , , , | 8 Comments

Stan, Ollie, and Harold – a Drive Through Bunker Hill

Posted on September 9, 2011 by John Bengtson

The Prelinger Archives has just posted some amazingly sharp movie footage of Bunker Hill and downtown Los Angeles taken in the late 1940s.  The stock footage was intended to be projected behind actors filming a traveling car scene within an … Continue reading →

Posted in Bunker Hill, Duck Soup, Film Noir, For Heaven's Sake, Girl Shy, Hal Roach Studios, Harold Lloyd, Laurel and Hardy, Lloyd Studio, Los Angeles Historic Core, Oliver Hardy, Stan Laurel | Tagged , , , , , , , , , , , , | 24 Comments

Charlie Chaplin and Film Noir? – It’s Also True

Posted on September 3, 2011 by John Bengtson

Charlie Chaplin and and film noir?  It’s also true.  As with my prior post about Harold Lloyd, Chaplin also has a connection to The Turning Point (1952), a noir crime drama where William Holden plays a cynical reporter investigating a … Continue reading →

Posted in Charlie Chaplin, Chinatown, Film Noir, For Heaven's Sake, Harold Lloyd, Modern Times, The Turning Point | Tagged , , , , , , , , , | 11 Comments