Category Archives: Buster Keaton

Hiding in plain sight – more cinematic magic from Buster Keaton’s Go West

Posted on December 24, 2022 by John Bengtson

Known only as “Friendless,” Buster finds himself working on an Arizona cattle ranch during Go West. There he meets Brown Eyes the cow when he kindly removes a painful rock stuck in her hoof. Soon after she returns the favor … Continue reading →

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Buster Keaton’s “Electric House” Home

Posted on November 30, 2022 by John Bengtson

Buster filmed the graduation scenes from The Electric House (1922) at a commercial site still standing, just blocks away from his once magnificent real-life home (above) appearing later in the film. The film opens with graduating botanist Buster mistakenly receiving … Continue reading →

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The Kid, Cops, Intolerance revealed in a 125 year old photo

Posted on October 29, 2022 by John Bengtson

When the great silent comedians filmed the streets of LA one hundred or more years ago, many of those settings were already decades old. Focusing on a single vintage photo, let’s explore one of the most fascinating film locations in … Continue reading →

Posted in Buster Keaton, Charlie Chaplin, Los Angeles Historic Core | Tagged , , , , | 6 Comments

Harold Lloyd’s “Hot Water” Sherlock turkey troubles

Posted on October 15, 2022 by John Bengtson

Wrangling a live turkey on a trolley, forced to walk it home, overlapping Buster Keaton’s Sherlock Jr., even more visual history is now revealed from Harold Lloyd’s Hot Water (1924). Newlywed Harold’s day is shattered when his better half calls … Continue reading →

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Case Closed! How Buster Keaton filmed Sherlock Jr.

Posted on July 2, 2022 by John Bengtson

Hosted by the Catalina Museum for Art and History, earlier this year I had the thrill and honor to introduce their screening of Buster Keaton’s brilliant comedy Sherlock Jr. (1924), accompanied by renowned pianist and composer Michael D. Mortilla. With … Continue reading →

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Keaton Sherlock Jr. – Valentino Blood and Sand – at Avalon Silent Film Showcase

Posted on May 8, 2022 by John Bengtson

Buster Keaton’s brilliant comedy Sherlock Jr., and Rudolph Valentino’s smoldering performance as a conflicted bullfighter in Blood and Sand, highlight this year’s Avalon Silent Film Showcase, hosted on Catalina Island at the beautiful Avalon Casino Theatre, on May 13 – … Continue reading →

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Buster Keaton’s Lost and Found “Seven Chances” Homes

Posted on March 27, 2022 by John Bengtson

During Seven Chances (1925) Buster’s character discovers on his 27th birthday he must marry by seven o’clock that evening in order to inherit a $7M fortune. After ineptly proposing to his longtime girlfriend, he speeds off to a country club … Continue reading →

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Buster Keaton’s riverbank footsteps – Steamboat Bill, Jr.

Posted on March 6, 2022 by John Bengtson

Buster Keaton filmed his final independent production Steamboat Bill, Jr. on location in Sacramento. The movie opens with an elegant scene filmed at the tip of what is now Discovery Park, slowly panning right to left from the American river … Continue reading →

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Take the Tour – the Buster Keaton Studio

Posted on January 8, 2022 by John Bengtson

I first read Rudi Blesh’s biography Keaton in junior high, and was immediately hooked by Buster’s magic and the romance of early filmmaking. I grew up watching silent comedies on public television, and collecting 8mm prints of Charlie Chaplin and … Continue reading →

Posted in Buster Keaton, Keaton Studio, Keaton Tour | Tagged , , , , | 11 Comments

Solved! Buster Keaton’s Mystery Colegrove Building

Posted on July 30, 2021 by John Bengtson

Buster Keaton was a pragmatic filmmaker, and it’s been fun discovering how often he would shoot simple scenes nearby, or even across the street from his small Hollywood studio once standing at 1025 Lillian Way. Appearing as both a receiving … Continue reading →

Posted in Buster Keaton, Hollywood History, The Goat | Tagged , , , , , , , , , , , | 8 Comments

Buster Keaton’s Early Days on Los Feliz

Posted on March 6, 2021 by John Bengtson

Straight from their opening-scene wedding in One Week (1920), staged on the steps of the Congregational Sunday School at the SE corner of Lillian Way and Romaine (kitty-corner from the Keaton Studio), Buster and Sybil Seely drive west along Los … Continue reading →

Posted in Buster Keaton, Convict 13, One Week | Tagged , , , , , , | 7 Comments

Mary Pickford’s “A Beast at Bay” a century before LAX

Posted on December 27, 2020 by John Bengtson

Mary Pickford’s A Beast at Bay (1912), directed by D.W. Griffith, portends his 1916 feature Intolerance, overlaps with later films starring Mabel Normand, Douglas Fairbanks, and Buster Keaton, and reveals the future site of LAX (!), the Los Angeles International … Continue reading →

Posted in Buster Keaton, Mary Pickford, One Week, The Goat | Tagged , , , , , , , , , , , , , , , | 9 Comments

Buster’s Brazen Bystanders

Posted on December 6, 2020 by John Bengtson

Bystanders appear frequently in the background of early films, a charming reminder of how the public witnessed the cinematic artform blossom, not only in theaters, but before their very eyes on the streets where they were made. The young girls … Continue reading →

Posted in Buster Keaton, Cops | Tagged , , , , | 10 Comments

Buster, Harold, Mabel, and Doug, and the murder of Wm. Desmond Taylor!

Posted on October 25, 2020 by John Bengtson

This post contains a variety of odds and ends. To begin, thanks to Tommy Dangcil we can see exactly where Buster Keaton staged a scene from Cops (1922) in front of the grand stairway leading to the former First Baptist … Continue reading →

Posted in Buster Keaton, Doug MacLean, Harold Lloyd, Mabel Normand | Tagged , , , , , , , , , | 4 Comments

Buster Keaton’s Go West Desert – “Frozen” in Time

Posted on September 26, 2020 by John Bengtson

Vintage movies are time machines, preserving fashion styles, means of transport, and urban locales for us to marvel at decades later. But when filmed at a remote locale, they also remind us a passing century is merely an eye-blink in … Continue reading →

Posted in Buster Keaton, Go West | Tagged , | 3 Comments

Buster Keaton – Hard Luck, The Goat – closeups at Westlake Park

Posted on August 15, 2020 by John Bengtson

Vintage movies and photos are time machines. This rare 1923 photo reveals exactly where Buster Keaton flees from Big Joe Roberts during The Goat (1921) nearly a century ago. This detail looks SE at the 7th Street and Alvarado corner … Continue reading →

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Time Travelers: Uncovering Old LA in Keaton Comedies

Posted on July 18, 2020 by John Bengtson

Criterion’s The Cameraman Blu-ray is loaded with extras, including Oscar-nominated Daniel Raim’s 2020 documentary Time Travelers: Uncovering Old LA in Keaton Comedies, revealing newly discovered connections between Keaton’s MGM debut and the earliest films of his career. Raim’s recent works … Continue reading →

Posted in Buster Keaton, Culver City, The Cameraman | Tagged , , , , , , , , , | 4 Comments

Buster Keaton – Ghosts of Go West

Posted on July 4, 2020 by John Bengtson

I’m pleased to share another post by guest blogger Jeffrey Castel de Oro, who has made many wonderful Keaton discoveries over the years (read his popular prior post about the adobe appearing in Buster’s The Scarecrow HERE.) This ghostly image … Continue reading →

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Caught on Camera – Buster Keaton’s The Cameraman in New York

Posted on June 20, 2020 by John Bengtson

The Criterion Collection’s stunning new Blu-ray release of Buster Keaton’s The Cameraman and Spite Marriage is loaded with bonus special features, including a new documentary Time Travelers I had the privilege of making with historian Marc Wanamaker and Oscar-nominated director … Continue reading →

Posted in Buster Keaton, Manhattan, The Cameraman | Tagged , , , , , , , , , , , | 2 Comments

Arbuckle and Keaton Filmed in Culver City Years Before Laurel and Hardy

Posted on May 23, 2020 by John Bengtson

Harold Lloyd and Snub Pollard filmed comedies for producer Hal Roach at the Bradbury Mansion Rolin Studio, on Court Hill in downtown Los Angeles, for years before Roach opened his new studio in Culver City in 1920. (Read how they … Continue reading →

Posted in Buster Keaton, Culver City, Laurel and Hardy | Tagged , , , , , , , , , | 7 Comments