Category Archives: Buster Keaton

Time Travelers: Uncovering Old LA in Keaton Comedies

Criterion’s The Cameraman Blu-ray is loaded with extras, including Oscar-nominated Daniel Raim’s 2020 documentary Time Travelers: Uncovering Old LA in Keaton Comedies, revealing newly discovered connections between Keaton’s MGM debut and the earliest films of his career. Raim’s recent works … Continue reading

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Buster Keaton – Ghosts of Go West

I’m pleased to share another post by guest blogger Jeffrey Castel de Oro, who has made many wonderful Keaton discoveries over the years (read his popular prior post about the adobe appearing in Buster’s The Scarecrow HERE.) This ghostly image … Continue reading

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Caught on Camera – Buster Keaton’s The Cameraman in New York

The Criterion Collection’s stunning new Blu-ray release of Buster Keaton’s The Cameraman and Spite Marriage is loaded with bonus special features, including a new documentary Time Travelers I had the privilege of making with historian Marc Wanamaker and Oscar-nominated director … Continue reading

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Arbuckle and Keaton Filmed in Culver City Years Before Laurel and Hardy

Harold Lloyd and Snub Pollard filmed comedies for producer Hal Roach at the Bradbury Mansion Rolin Studio, on Court Hill in downtown Los Angeles, for years before Roach opened his new studio in Culver City in 1920. (Read how they … Continue reading

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Buster Keaton – More Backlot Scenes From Our Hospitality

Buster Keaton’s modest studio made it necessary for him to film many famous scenes at other studios with larger backlots. His pursuit through an archway by an army of police at the climax of Cops (1922) was filmed at the … Continue reading

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Keaton’s The Cameraman on the Santa Monica Pier

For their first date in The Cameraman (1928) Buster Keaton and Marceline Day strip down and go swimming in a public pool, because, why not? As reported in my book Silent Echoes, their natatorium adventure was filmed inside the Venice … Continue reading

Posted in Buster Keaton, The Cameraman, Venice | Tagged , , , , , , , , , , | 16 Comments

Buster, Harold, and Stymie at the Venice Pier

A prior post explains Buster Keaton and Orson Welles crossed paths filming in Venice, California. But what about Buster and Our Gang superstar Stymie Beard? Above Buster in The High Sign (1920) and Orson directing A Touch of Evil (1958). … Continue reading

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Mary Pickford, the Talmadge Sisters, and Buster Keaton at the Brunton Studio

The Hoodlum (1919), Mary Pickford’s second independent production, followed her triumphant debut self-production Daddy Long Legs (1919). DDL brims with so much Los Angeles history and locations it took two lengthy posts to cover them all, HERE and HERE, and … Continue reading

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Keaton’s Missing Scene and Cameraman Tricks

Early in The Cameraman (1928) neophyte newsreel photographer Buster Keaton submits his double-exposed mistake-filled audition movie footage to the M-G-M Newsreel General Offices in ‘New York,’ resulting in a complete disaster. At left, Buster watches in horror as his double-exposed … Continue reading

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Happy “Roaring Twenties” New Year at Keaton’s Bungalow

Happy New Year everyone! For some reason 2020 and its prior century silent-era counterpart resonate with me more so than 2019-1919 ever did. The Roaring Twenties are with us again. This widely viewed classic photo of Buster making his 1929 … Continue reading

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Buster Keaton at the Selig Studio “Prison”

I only recently became aware of the Selig Polyscope Studio, the first permanent studio built in Los Angeles that opened in 1909 two blocks north from where the Keystone Studio would later open. Focusing on the facility’s distinctive walls and … Continue reading

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Buster Keaton’s Scarecrow Adobe

I’m delighted to host guest blogger Jeffrey Castel de Oro’s amazing post regarding the early California history appearing in Buster Keaton’s The Scarecrow. A friend for 20 years, Jeff has contributed many significant locations and photographs to all of my … Continue reading

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Buster Keaton’s Sherlock Schindler

Several years ago, following my introduction of Sherlock Jr. at the Egyptian Theater in Hollywood, Los Angeles architect John Trautmann approached me to ask if I had noticed the famous Schindler house which appears in the background as Buster speeds … Continue reading

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Buster’s Paramount Backlot Plunge

I’m pleased to update this post to announce that the 2019 San Francisco Silent Film Festival will conclude Sunday May 5, with a 8:00 pm screening of Buster Keaton’s second feature comedy Our Hospitality (1923), to be accompanied by the … Continue reading

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Buster Keaton’s The Cameraman

I’m pleased to update this post to announce the 2019 San Francisco Silent Film Festival kicks off this year on Wednesday, May 1, with a 7:00 pm screening of Buster Keaton’s 1928 comedy triumph The Cameraman, in a beautiful new … Continue reading

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Green Acres, Pickfair, Chaplin’s Breakaway Home, and Keaton’s Italian Villa

Below, 1937, Harold Lloyd’s Green Acres (red), Doug and Mary’s Pickfair (blue), Charlie Chaplin’s home (yellow), and Buster Keaton’s Italian Villa (orange). Who knew they were all spaced so close together? I knew Charlie Chaplin’s home (yellow above and left) … Continue reading

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Keaton’s Bungalow Outside MGM

When Buster Keaton joined MGM in 1928, he rented a bungalow near, but off site from, the MGM campus, infuriating studio head Louis B. Mayer, as Keaton was (one of) the only star(s) to rent space off of the lot. … Continue reading

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Buster Keaton and W.C. Fields in Astoria

Buster Keaton and W.C. Fields filmed alongside the same Astoria apartment building, nine years apart. Who knew? While working on a post connecting Fields’ It’s The Old Army Game with Keaton’s The Cameraman (1928) and Harold Lloyd’s Speedy (1928) (all … Continue reading

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Buster Keaton’s Kennel on the MGM lot

As one of MGM’s biggest stars, Buster Keaton once had a private bungalow dressing room on the studio lot, jokingly dubbed “Keaton’s Kennel.” A reader correctly wrote long ago that the Kennel stood along the north side of the lot, … Continue reading

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Buster Keaton’s Blue Blazes in Astoria

While working on posts covering W.C. Fields filming It’s The Old Army Game (1926) and Running Wild (1927) at the Paramount Astoria Studios on 35th Avenue and 35th Street, I remembered Keaton had made a few short comedies for Educational … Continue reading

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